BreadBellz

8"h x 9-10 square base

I have the one on the left remaining and another in the works. If you want a cloche, send an email.

New BreadPots

It has been busy in the studio with a gaggle of projects going at once. New BreadPots are in the works and will be ready in a couple of weeks. I have two new cloches made of a dark chocolate brown clay. BreadBellz. There have been orders for custom inscribed wedding present BreadPots. Nice. What a good gift for a wedding!

Some Breads in the Tartine Style

Photo by Matt Korahais.

 I've been playing around a bit with the bread method described in Chad Robertson and Eric Wolfinger's Tartine Bread (the book is beautiful, by the way, check it out). Robertson's method uses a sourdough leaven in a wet dough--but one a little drier than Lahey/Bittman's no-knead.  The dough is turned three or four times during a long bulk fermentation lasting 3-8 hours, depending on temperature. After the initial mix, the dough gets a 20 minute autolyse before salt and a small amount of water are added in to finish it off.

Photo by Matt Korahais.

The recipe is geared toward two loaves, so each time I baked one in the cast-iron dutch oven and one in the BreadPot. I scored the loaves, but somewhat haphazardly, as the depth of the pots made it difficult for me to get my scoring knife in.

Photo by Matt Korahais.

For the second bake, a walnut pecan golden raisin loaf, the garnish was added after about 40 minutes of the bulk rise, during the first turn.

Photo by Matt Korahais.

I turned the dutch oven into a cloche by turning it upside down and using my skillet as the bottom.

Photo by Matt Korahais. Uncropped!

The crumb was light and airy, well-gelatinized and full of large, irregular holes.

Photo by Matt Korahais.

Photo by Matt Korahais.

One Year of BreadPot development

It was just one year ago this month that I started this BreadPot project.
With the help of my bread baking buddies, this blog and hard work in clay, they are much improved.
Those of you who know the experimental nature of my work might imagine that I might lose interest in the simplicity of these. I do love enhancing the value of this simple slow bread in people's lives with clay.
Well, I have been inventing ways to keep it interesting. First, I have used it as a teaching tool with two young potters. Second, I explored different clays, adding a subtle variation of colors. Third, I have decorated some of them with brushwork. Fourth, I actually put a few in saggars with combustibles and got natural markings that people seem to like. I have had my losses, but the experiments in each firing is what keeps me engaged. This picture was taken at the kiln after the last batch showing the clay test colors and other variations. There was even one that had a wedding inscription as a special order.

You may specify decoration or special strap handle for as long as these last. I also have one oversize cloche (mid left in this picture) like the one vt is using. He loves it. Call for price. I will be sending an email about them to my list this month and I expect them to go fast.  Word of mouth is my marketing plan. The BreadPots are at Left Bank Gallery in Wellfleet, as are my flame painted pots. Most of them are here at the studio.

smoky saggar fired experiment with BreadPots

I will be firing a batch of new brown toast stoneware BreadPots tomorrow to  cone ten 2350F. I am trying an experiment in this kiln load that will make a connection between these pots and my saggar fired work. I have built a container in a bottom section of the kiln and filled it with sawdust and two bakers. I also filled one of the three oversize cloche shaped bakers with sawdust. I made these on a request by Vaughn Tan, who wants to experiment with this  form for his baking. I will let you know how it turns out.

Breadpots on breadexperience.com

The BreadPot is featured on the Baking in Pots feature on www.breadexperience.com.